Vectips http://vectips.com Adobe Illustrator® Tutorials, tips, tricks, and resources Tue, 29 Jul 2014 22:54:56 +0000 en-US hourly 1 http://wordpress.org/?v=3.7.3 Sweet Strawberry Text Effect! Perfect Summer Font http://vectips.com/tutorials/sweet-strawberry-text-effect/ http://vectips.com/tutorials/sweet-strawberry-text-effect/#comments Tue, 29 Jul 2014 22:48:44 +0000 http://vectips.com/?p=10301 Sweeten up your text art with this strawberry text effect tutorial. Learn how to use custom brushes and the appearance panel to your advantage when customizing typography.         Tutorial Details: Strawberry Text Effect Program: Adobe Illustrator CS5-CC 2014 Difficulty: Intermediate Topics Covered: Custom Brushes, Appearance Panel, Offsetting Paths Estimated Completion Time: 30 […]

The post Sweet Strawberry Text Effect! Perfect Summer Font appeared first on Vectips.

]]>
Strawberry Vector Text TreatmentSweeten up your text art with this strawberry text effect tutorial. Learn how to use custom brushes and the appearance panel to your advantage when customizing typography.

 
 
 
 

Tutorial Details: Strawberry Text Effect

  • Program: Adobe Illustrator CS5-CC 2014
  • Difficulty: Intermediate
  • Topics Covered: Custom Brushes, Appearance Panel, Offsetting Paths
  • Estimated Completion Time: 30 Minutes

Final Image: Strawberry Text Effect Treatment

Step 1

To begin this summery sweet strawberry text effect tutorial, start with a rounded sans-serif font, like Gotham Rounded Bold. Select your font, Expand the text under Object, and change the color to a bright pink (like #E62357). Ungroup your text so we can focus on one letter at a time.

001

Step 2

In the Appearance panel, add a New Fill above the first one and apply a Linear Gradient using the Gradient panel. This gradient goes from Orange (#F37F2F) to Pink (#EA2654) to Dark Magenta (#BB0670) at an approx. 69° angle.

002

Step 3

Under the gradient fill in the Appearance panel, apply a Plastic Wrap effect with the following attributes: Highlight Strength: 8, Detail: 12, and Smoothness: 15. You’ll find this effect under Effect > Artistic > Plastic Wrap.

003

Step 4

Since we applied a raster effect, the edges of the letter are pixelated. Copy (Control-C) and Paste (Control-V) the main S-shape. Make sure to remove the effects and gradient fill from the copied shape, as they are unnecessary and only contribute to a larger file size. Set the fill color to null, Align with the original S, and Create a Clipping Mask (Control-7). Now we have a clean, vector edge. We’ll be using this clipping mask again in this tutorial.

004

Step 5

Let’s make some strawberry seeds for this strawberry text effect! Use the Ellipse Tool (L) in order to draw a circle. Drag the bottom anchor point downward using the Direct Selection Tool (A) so it forms a teardrop shape. I found it easiest to soften up the curve of the shape by using the Anchor Point Tool (Shift-C) to convert the bottom to a point and carefully drag the handles back outward to the curve that I wanted. Repeat in light yellow and cream for smaller shapes to serve as highlights. Group(control-G) together your seed shapes.

005

Step 6

Select the larger shape with the Direct Selection Tool and go to Object > Path > Offset Path. Input 0.0278 inches (or so, as it really depends on what size your objects are. Make sure Preview is selected in order to determine the right offset size).

006

Step 7

Select your new, large shape and change the color to a bright pink (#F22C60).

007

Step 8

In the Transparency panel, reduce the Opacity to 67%, or so, and the Blend Mode to Multiply.

008

Step 9

Select the yellow seed group and apply a Drop Shadow effect (go to Effect > Stylize > Drop Shadow in the Appearance panel) with the following attributes:

Mode:

    Multiply

Opacity:

    75%

X Offset:

    0.01 in

Y Offset:

    0.03 in

Blur:

    0.01 in

Color:

    #3A0312

009

Step 10

Repeat adding a Drop Shadow effect but with the following attributes:

Mode:

    Screen

Opacity:

    30%

X Offset:

    -0.02 in

Y Offset:

    -0.05 in

Blur:

    0.01 in

Color:

    #FF7BA4

010

Step 11

Group together your seed components. In the Brushes panel create a new Scatter Brush whose rotation is kept relative to the page. The other attributes will depend on the size of your seed components in relation to your lettering and may take a few edits to get just right. Note that mine needed to be scattered and scaled down a bit compared to the brush’s default size. Edit brushes by selecting them in the Brushes panel and hitting Enter.

011

Step 12

Use the Paintbrush Tool (B) to draw a few messy, scribbly lines over your strawberry text effect letter with your new Scatter Brush.

012

Step 13

Once satisfied with the seed coverage, Group the strokes together and place this group within the S’s Clip Group underneath the Compound Clipping Path line in the Layers panel. Doing so will include the seed paths in the clipping mask made previously.

013

Step 14

Repeat Steps 2-13 of this strawberry text effect tutorial on the other letters. You can take a few shortcuts by creating a clipping mask out of a group of letters or applying some of the attributes in the Appearance panel to an entire group, but the Plastic Wrap effect will work best when applied to individual objects.

014

Step 15

For a quick background, draw a large rectangle over the Artboard with the Rectangle Tool (M). Apply the fill color of your choice. In the Appearance panel, create a new fill below the main fill. Set the main fill’s Blend Mode to Screen and apply a Halftone Pattern effect to the secondary fill (the effect is found under Effect > Sketch > Halftone Pattern.

015

Step 16

Finally, select your completed text, and apply the two Drop Shadow instances in the Appearance panel.

Instance A

Mode:

    Multiply

Opacity:

    40%

X Offset:

    0.05 in

Y Offset:

    0.02 in

Blur:

    0.01 in

Color:

    #05352F

Instance B

Mode:

    Screen

Opacity:

    40%

X Offset:

    -0.03 in

Y Offset:

    -0.01 in

Blur:

    0.01 in

Color:

    #40DDC6

016

Great Job, You’re Done!

Push your design further by creating bitten or sliced strawberry letters with this strawberry text effect. Or, keep them growing with leaves, vines, and a whole strawberry plant. What other fruit or veggie letters can you create in Illustrator? Have a happy summer!

017

Author: Mary Winkler

Mary works under the brand Acrylicana® designing apparel, jewelry, and illustrating for companies like Disney, Jakks Pacific, Envato, and more. Check out Acrylicana.com for more artwork, tutorials, and more.

The post Sweet Strawberry Text Effect! Perfect Summer Font appeared first on Vectips.

]]>
http://vectips.com/tutorials/sweet-strawberry-text-effect/feed/ 1
Bubble Lamp Vectors and Easy Glass Effects http://vectips.com/tutorials/lamp-vector-and-easy-glass-effects/ http://vectips.com/tutorials/lamp-vector-and-easy-glass-effects/#comments Thu, 17 Jul 2014 18:19:16 +0000 http://vectips.com/?p=10204 In this lamp vector tutorial, you will learn how to create a Bubble Lamp Vector by applying a semi-realistic glass texture effect, which you could then transfer to so many other projects. You will learn how to combine the Clipping Mask and the Gaussian Blur in order to create shadows and highlights to your lamp […]

The post Bubble Lamp Vectors and Easy Glass Effects appeared first on Vectips.

]]>
lamp vectorIn this lamp vector tutorial, you will learn how to create a Bubble Lamp Vector by applying a semi-realistic glass texture effect, which you could then transfer to so many other projects. You will learn how to combine the Clipping Mask and the Gaussian Blur in order to create shadows and highlights to your lamp vector illustration, and you will also learn to use the Pathfinder Panel and the Transparency Panel. Let’s begin!

 

Tutorial Details: Bubble Lamp Vector

  • Program: Adobe Illustrator CS5 – CC
  • Difficulty: Beginner-Intermediate
  • Topics Covered: Gradient Tool, Basic Tools and Effects, Transform techniques, Clipping Mask and the Appearance panel
  • Estimated Completion Time: 1 hour

Final Image: Bubble Glass Lamp Vector

This is the final image that we’ll be creating:

lamp vector

Step 1

First thing to do in this glass bubble lamp vector tutorial is open Adobe Illustrator and create a new 600 x 737px document (Ctrl + N). Select CMYK Color Mode, 300 PPI Raster Effects and make sure that Align New Objects to Pixel Grid is unchecked.

Next, go to Edit > Preferences > General and set the Keyboard Increment to 0,5 px.
lamp vector

Step 1

Using the Elipse Tool (L) create a 360 x 360px elipse. Fill the shape with black. then from the Transparency Panel lower the Fill Opacity to 10%, then set the Blending Mode to Multiply. Focus on the Appearance Panel (Window > Appearance) and add a new Radial Gradient Fill,  then from the Transparency Panel set the Blending Mode to Screen.

lamp vector

Step 3

Select the previous shape and make two copies in front of it (Ctrl + C > Ctrl + F > Ctrl + F). Nudge the top shape 3,5px to the left and 3,5px up.

lamp vector

Select both copies and from the Pathfinder Panel (Window > Pathfinder) hit the Minus Front button. Fill the resulting shape with Black, then apply to it a 40px Gaussian Blur (Effect > Blur > Gaussian Blur).

lamp vector

Step 4

Select again the previous shape (Step 2) and make two copies in front of it (Ctrl + C > Ctrl + F > Ctrl + F). Nudge the top shape 1,5px to the left and 1,5px up.

lamp vector

Select both copies and from the Pathfinder Panel (Window > Pathfinder) hit the Minus Front button. Fill the resulting shape with Black, then apply to it a 10px Gaussian Blur (Effect > Blur > Gaussian Blur). From the Transparancy Panel lower the opacity to 80% and set the Blending Mode to Multiply.

lamp vector

Step 5

Select again the previous shape (Step 2) and make two copies in front of it (Ctrl + C > Ctrl + F > Ctrl + F). Nudge the top shape 3,5px to the right.

lamp vector

Select both copies and from the Pathfinder Panel (Window > Pathfinder) hit the Minus Front button. Fill the resulting shape with Black, then apply to it a 40px Gaussian Blur (Effect > Blur > Gaussian Blur).

lamp vector

Step 6

Select again the shape from Step 2 and make a copy in front of it (Ctrl + C > Ctrl + F). Now select all shapes and create a Clipping Mask (Object > Clipping Mask > Make).

lamp vector

Step 7

Next step in creating our bubble lamp vector is to create a glass effect by making some glares. This will help our lamps look realistic. Using the Pen Tool (P) crate a path similar to the one below. Set the stroke width to 28px and the Variable Width Profile to Width Profile 1.

lamp vector

Select the Path and apply a 40px Gaussian Blur (Effect > Blur > Gaussian Blur), then from the Transparency Panel set the Blending Mode to Screen. 

lamp vector

Step 8

Using the Pen Tool (P) crate a path similar to the one below. Set the stroke width to 19px and the Variable Width Profile to Width Profile 1.

lamp vector

Next for creating our lamp vector, select the Path and apply a 20px Gaussian Blur (Effect > Blur > Gaussian Blur), then from the Transparency Panel lower the Opacity to 80%, then set the Blending Mode to Screen.

lamp vector

Step 9

Using the Paintbrush Tool (B), draw some small highlights on the bubble lamp vector. Group them (Ctrl + G) then apply a 10px Gaussian Blur to the grup (Effect > Blur > Gaussian Blur).

lamp vector

Step 10

This is how your Bubble Lamp vector should look like right now!

lamp vector

Step 11

Now let’s create the second part of the Bubble Lamp vector. Using the Rectangle Tool (M) crate a 132 x 407px rectangle.

lamp vector

Step 12

Using the Add Anchor Point Tool (+) add two anchor points like in the image below. Using the Direct Selection Tool (A), select and move the left anchor point 59px to the right and the right anchor point 59px to the left.

lamp vector

Step 13

Select again both anchor points, then hit the Convert Selected Anchor Points to Smooth button. With the Direct Selection Tool (A) move the handles like in the image below.

lamp vector

Step 14

Using the Add Anchor Point Tool (+) add an anchor point like in the image below. Using the Direct Selection Tool (A), select and move the anchor point 3px up.

lamp vector

Step 15

Hopefully by now you can see our bubble lamp vector start to take shape. Select again the anchor point, then hit the Convert Selected Anchor Points to Smooth button. With the Direct Selection Tool (A) move the handles like in the image below.

lamp vector

Step 16

For this step, you’ll need the Round Any Corner script. You can find it in this article 20 Free and Useful Adobe Illustrator Scripts. Save it to your hard drive, return to Illustrator and grab the Direct Selection Tool (A). Select only the anchor point highlighted in the image and go to File > Scripts > Other Script. Open the Round Any Corner script, enter a 3px radius and click OK.

lamp vector

Step 17

Pick the Elipse Tool (E) and draw a 50 x 20px circle. Select both the black shape and the elipse and hit the Divide Button from the Pathfinder Panel.

lamp vector

Step 18

Using the Direct Selection Tool, delete parts tagged with (1), (2) and (3).

lamp vector

Step 19

Now unite the remaining two shapes by pressing the Unite button from the Pathfinder Panel.

lamp vector

Step 20

Using again the Round Any Corner Script, select only the anchor point highlighted in the image and go to File > Scripts > Other Script. Open the Round Any Corner script, enter a 1px radius and click OK.

lamp vector

Step 21

Now let’s create the first highlight on the top of the bubble lamp vector. Pick the shape and make two copies in front of it (Ctrl + C > Ctrl + F > Ctrl + F). Move it 7px up, double click on the Scale Tool (S) from the Toolbox, then enter a value of 60% for the Horizontal Non-Uniform scaling.

lamp vector

Step 22

Using the Direct Selection Tool (A), move the left anchor point 7px to the left and the right anchor point 7px to the right.

lamp vector

Step 23

Now select both copies and hit the Minus Front button from the Pathfinder Panel.

lamp vector

Step 24

From the Layers Panel (Window > Layers), delete the unnecessary shapes (Del).

lamp vector

Step 25

Fill the shape with a Linear Gradient, then apply a 20px Gaussian Blur (Effect > Blur > Gaussian Blur). Focus on the Transparency Panel and lower the Opacity to 55%, then set the Blending Mode to Screen.

lamp vector

Step 26

Copy and paste in front twice the main shape (Ctrl + C > Ctrl + F > Ctrl + F). Move the first copy 4px to the right then second copy 7px to the right. Select both copies and hit the Minus Front button from the Pathfinder Panel.

lamp vector

Step 27

Fill the resulting shape with White, then add a 10px Gaussian Blur (Effect > Blur > Gaussian Blur). From the Transparency Panel, lower the Opacity to 50%, then set the Blending Mode to Screen.

lamp vector

Step 28

Select again the main shape and make a copy in front of it (Ctrl + C > Ctrl + F). Now select the two highlights and the main shape, then create a Clipping Mask (Object > Clipping Mask > Make).

lamp vector

Step 29

Select the main shape once again and apply a Drop Shadow (Effect > Stylize > Drop Shadow) with the same values from the image below.

lamp vector

Step 30

Make a copy of the shape from step 2 (Ctrl + C > Ctrl + F), move it in front of the other shapes (Shift + Ctrl + ]), select the copy and the previous shape, then create a Clipping Mask (Object > Clipping Mask > Make).

lamp vector

Step 31

Select again the main shape, make two copies in front of it (Ctrl + C > Ctrl + F > Ctrl + F). Move the top copy 2px up, then select both copies and from the Pathfinder Panel hit the Minus Front button. Fill the resulting shape with a linear Gradient, then set it’s Blending mode to Screen.

lamp vector

And we’re done! You’ve made your very own Bubble Lamp Vector.

lamp vector

Andrei urse

Author: Andrei Urse

My name is Andrei Urse. I’m a graphic designer from Romania.  I love creating logos and complex vector art using Illustrator, but I also use Photoshop and InDesign on a daily basis. You can find all of my work on Behance.

The post Bubble Lamp Vectors and Easy Glass Effects appeared first on Vectips.

]]>
http://vectips.com/tutorials/lamp-vector-and-easy-glass-effects/feed/ 1
iStock Promo Codes – July 2014 http://vectips.com/news/istock-promo-code/ http://vectips.com/news/istock-promo-code/#comments Thu, 17 Jul 2014 05:40:25 +0000 http://vectips.com/?p=7823 My goal here at Vectips is to create a site that offers more than just vector tutorials. I want to create a unique resource that offers helpful resources for everyone in the vector space. That means in the coming months we have plans to start rolling out more useful content besides vector tutorials. Part of […]

The post iStock Promo Codes – July 2014 appeared first on Vectips.

]]>
istock promo codeMy goal here at Vectips is to create a site that offers more than just vector tutorials. I want to create a unique resource that offers helpful resources for everyone in the vector space. That means in the coming months we have plans to start rolling out more useful content besides vector tutorials.

Part of that useful content involves additional tools and resources that creatives often use. While we encourage everyone here to create their own illustrations, we know that often times isn’t ideal for certain projects. We’ve all had those clients need artwork “yesterday” and you may not have time to illustrate a custom piece yourself. So the next best thing is to purchase a stock illustration.

Click to Reveal iStock Promo Code for 20% off iStock credit packs

Based on our survey we ran a few weeks ago, we found that many of our readers still spend several hundred dollars on stock vectors each year. It’s always handy to have some credits in your account when your budget doesn’t permit custom illustration.

Since iStock is one of the leading microstock marketplaces in the industry, we thought it would be helpful to start aggregating promo codes we find around the web and post them to this page. Here are two iStock promo codes to get you started:

There are several sites doing this already like Vecteezy, but they don’t always work. Our goal is to keep this page updated so you always have a go-to source for a discount before you make your purchase. We plan to update this post once or twice a month with a new iStock promo code to keep things fresh. If it turns out to be popular then we will turn it into a category an put it in the top navigation on the home page.

How To Use This iStock Promo Code

  1. Click on the button above to unlock the iStock promo code.
  2. Select your desired credit package
  3. Enter the promo code at the bottom of that page and click the “Next” button.
  4. Review your order and check out.

If iStock isn’t your marketplace of choice, we hope to have more exclusive discounts from other marketplaces in upcoming months so stay tuned.

If you decided to take advantage of this deal, please leave a comment below to let us know how much you saved! Also please let us know if you’d like to see more promotional offers from *relevant* companies like this in the future.

Enjoy!

The post iStock Promo Codes – July 2014 appeared first on Vectips.

]]>
http://vectips.com/news/istock-promo-code/feed/ 7
Happy Hour: Celebrate With Your Own Martini Glass Vector http://vectips.com/tips-and-tricks/create-festive-martini-glass-vector/ http://vectips.com/tips-and-tricks/create-festive-martini-glass-vector/#comments Thu, 10 Jul 2014 20:00:33 +0000 http://vectips.com/?p=10247 In this shining Martini Glass Vector tutorial you will learn how to work effectively with simple geometric shapes, and then learn how to create amazing lighting effects, using different blending modes and gradient fills. Symbols and Symbol Sprayer Tool will help you to create splashes quickly for your festive martini glass vector. With just a […]

The post Happy Hour: Celebrate With Your Own Martini Glass Vector appeared first on Vectips.

]]>
martini glass vector

In this shining Martini Glass Vector tutorial you will learn how to work effectively with simple geometric shapes, and then learn how to create amazing lighting effects, using different blending modes and gradient fills. Symbols and Symbol Sprayer Tool will help you to create splashes quickly for your festive martini glass vector. With just a little bit of effort you can create an awesome martini glass vector illustration on your own.

Tutorial Details: Martini Glass Vector

  • Program: Adobe Illustrator CS2 – CC
  • Difficulty: Beginner
  • Topics Covered: Transparency blending modes, gradient fills, Symbol Sprayer Tool
  • Estimated Completion Time: 45 minutes

Final Image: Festive Martini Glass Vector

martini glass vector

Step 1

For this martini glass vector tutorial, we’ll start in Adobe Illustrator, then go to the File > New …. In the opened dialog box, set the necessary size of our artboard and choose the RGB color mode.

martini glass vector

Step 2

Take the Polygon Tool and click on the artboard. In the dialog box, set the number of sides equal to three in order to create a triangle.

martini glass vector

Drag the triangle up, hold Opt / Alt and Shift, which will lead to duplication and will allow to move the object vertically up.

martini glass vector

Step 3

Rotate the top rectangle 180 degrees using the Selection Tool (V) and bounding box and holding the Shift.

martini glass vector

Change the height and width of the rectangle, as shown in the picture below. Use the Selection Tool (V) for this purpose. The beginning of a martini glass vector!

martini glass vector

Step 4

Take the Rectangle Tool (M), position the pointer of the tool at the point A, then hold the Opt / Alt, create a rectangle elongated vertically.

martini glass vector

Select all the created objects, and then click Unite button in the Pathfinder panel.

martini glass vector

From simple geometric shapes we created the shape of martini glass vector.

Step 5

Take the Direct Selection Tool (A) and select the angles A and B. Change the rounding radii of these angles using Corner Widgets (View > Show Corner Widget). This feature is available only in the latest releases of Adobe Illustrator (CC17 – CC2014). If you are using earlier releases of the application, VectorScribe plug-in with Dynamic Corners Tool can be used for these purposes.

martini glass vector

Step 6

Set the stroke width equal to 6px and select Round Join for Corner in the Stroke panel (Window > Stroke). This will make the base of the martini glass vector not so harsh, and more realistic.

martini glass vector

Turn off the fill of this object. Now using the Rectangle Tool (M) create a rectangle filled with black color. The sizes of this rectangle must correspond to the sizes of the background of your illustration. Place the shape of the martini glass vector above the black background and change the color of the stroke to white.

martini glass vector

Step 7

Take the Scissors Tool (C) and cut the path at points A and B. Now, select and delete the smaller part of the path.

martini glass vector

Step 8

Proceed to the creation of slices of lime that will garnish your martini glass vector. Take the Ellipse Tool (L) and create a circle with no fill and stroke of white color. Set the stroke width equal to 9px in the Stroke panel.

martini glass vector

Using the Line Tool (\) create a vertical straight-line segment between points A and B.

martini glass vector

Now go to Object > Transform > Rotate … and in the opened dialog window set the angle of 45 degrees, and then click on the Copy button.

martini glass vector

Press twice Cmd / Ctrl + D shortcuts for the consecutive repetition of the previous action.

martini glass vector

Step 9

Select all the elements of the lime, then go to Object > Path > Outline Stroke.

martini glass vector

Now press the Unite button in the Pathfinder panel.

martini glass vector

Take the Eraser Tool (Shift + E), hold Opt / Alt, and remove the lower part of the lime.

martini glass vector

Rotate the object at 45 degrees using the Selection Tool (V) and bounding box and holding Shift. Place lime on the edge of the martini glass vector as shown below.

martini glass vector

Group up the glass and lime (Cmd / Ctrl + G).

Step 10

Proceed to the creation of light effects. Draw a circle using the Ellipse Tool (L) and fill it with a radial gradient from blue to black. Place this circle below the group with white objects.

martini glass vector

Create another circle with a similar fill, then transform it into an ellipse using the Selection Tool (V).

martini glass vector

Using this technique, create the third ellipse with a radial gradient. Place this ellipse to the right of the glass. Blue color of the gradient is darker than in the previous cases.

martini glass vector

Step 11

Select all ellipses, then set the Screen blending mode in the Transparency panel.

martini glass vector

Select the group with white objects, then set the Overlay blending mode in the Transparency panel.

martini glass vector

Step 12

Now we can locally create glare on the edges of the martini glass vector. Create a circle filled with a radial gradient, which includes two white, blue and black colors. Deform the circle into an ellipse, then apply the Screen blending mode to it.

martini glass vector

Place similar objects in places where you want to create glares.

martini glass vector

Step 13

Proceed to the creation of light splashes. Draw a circle with a radial gradient fill, which contains two white, blue and black sliders. Apply the Screen blending mode to the circle.

martini glass vector

Save the circle as a new symbol in the Symbols panel. Draw a new circle filled with a radial gradient from blue to black color and apply the Screen blending mode to it.

martini glass vector

Keep this circle as a symbol in the Symbols panel.

martini glass vector

Step 14

Take the Symbol Sprayer Tool (Shift + S), select the first symbol and start spraying on the surface of the background.

martini glass vector

Now select the second symbol, and spray it.

martini glass vector

Step 15

Create less dense splashes. Draw a 3 by 3px circle filled with a radial gradient from white to black color and apply the Color Dodge blending mode to it.

martini glass vector

Save this object as a symbol and is sprayed on the surface of the background using the Symbol Sprayer Tool.

martini glass vector

Using symbols allows us to quickly create a large number of similar objects. In addition, you can quickly change the size of some of them. Symbol Sizer Tool is designed for that.

Step 16

After a few minutes of experimenting I got a splashes shown in the picture below – such a festive martini glass vector already!

martini glass vector

For further acceleration of work, select and group up all the objects of splashes (Cmd / Ctrl + G). Now you can duplicate the group, resize, rotate and place its copies where needed.

martini glass vector

I hope you will achieve good results! This martini glass vector would be perfect for any festive holiday, New Year’s Eve, a party invitation, or just to celebrate happy hour at the end of a work day. Cheers!

martini glass vector

Iaroslav Lazunov

Author: Iaroslav Lazunov

My name is Iaroslav Lazunov, I am a graphic designer from Ukraine. I am glad that I finally found a job in my life that I can share my knowledge and experiments with you in my tutorials. Follow me on Twitter or visit my blog Vectorboom.com

The post Happy Hour: Celebrate With Your Own Martini Glass Vector appeared first on Vectips.

]]>
http://vectips.com/tips-and-tricks/create-festive-martini-glass-vector/feed/ 1
Bright Light Bulb Vector: Lights On in Under an Hour http://vectips.com/tutorials/create-a-light-bulb-vector-in-an-hour/ http://vectips.com/tutorials/create-a-light-bulb-vector-in-an-hour/#comments Thu, 03 Jul 2014 18:04:14 +0000 http://vectips.com/?p=10184 Turn on the light with this icon and illustrative light bulb vector. In the tutorial below you’ll create the light bulb vector from simple shapes, manipulate gradients, gradient meshes, and blending modes all in pursuit of a semi-realistic light bulb vector design.       Tutorial Details: Light Bulb Vector Program: Adobe Illustrator CC-CC 2014 […]

The post Bright Light Bulb Vector: Lights On in Under an Hour appeared first on Vectips.

]]>
019Turn on the light with this icon and illustrative light bulb vector. In the tutorial below you’ll create the light bulb vector from simple shapes, manipulate gradients, gradient meshes, and blending modes all in pursuit of a semi-realistic light bulb vector design.

 
 
 

Tutorial Details: Light Bulb Vector

  • Program: Adobe Illustrator CC-CC 2014
  • Difficulty: Intermediate
  • Topics Covered: Blend Modes, Gradient Mesh, Live Corners, Rendering
  • Estimated Completion Time: 45 Minutes

Final Image

018

Step 1

First step in creating this light bulb vector is drawing the bulb. Use the Ellipse Tool (L) to draw a circle and the Rectangle Tool (M) to draw a box on the bottom of it. If you’re using Adobe Illustrator CC or above, pull the Live Corners inward in order to round the corners of the box (or manipulate the corners in the Transform panel). Using the Direct Selection Tool (A), pull the top left and right anchor points upward to the outer sides of the circle. Curve the paths by manipulating the handles of the anchor points (see below for desired bulb shape). Unite the two objects in the Pathfinder panel.
001

Step 2

Apply a Radial Gradient to the bulb shape using the Gradient Tool (G). The gradient shown below goes from white to a light, cornflower blue. Adjust the gradient’s shape so it’s oval and the darker color is concentrated on the edges of the light bulb vector shape.
002

Step 3

Copy (Control-C) and Paste (Control-V) the light bulb vector shape, Align to the original bulb and change the fill color to white. Use the Gradient Mesh Tool to define areas of blue around the edges of the bulb. Use the Direct Selection Tool in order to select the anchor points elsewhere within the mesh that are remaining white and reduce their Opacity to 0% in the Transparency panel.
003

Step 4

For the screw cap of the light bulb vector, draw a gray or blue square on the bottom of the bulb shape. Grab the Live Corners and pull them inward slightly to round the corners, as was done in Step 1. Use the Direct Selection Tool to select and pull the top anchor points upward and to either side of the light bulb. The screw cap should be a bit wider than this. Continue to manipulate the shape until you have the look you want for the screw cap.
004

Step 5

Apply a Radial Gradient to the screw cap shape. Since I decided on blue, at the time, the inner color is a bright blue while the outer color is navy blue. Concentrate the darker color of the gradient towards the edges.
005

Step 6

Use the Ellipse Tool to draw a gradient ellipse at the top of the screw cap. Use the same gradient from the screw cap shape, but change its Type to Linear and the bright blue’s Opacity to 0% in the Gradient panel. Use the Shape Builder Tool (Shift-M) to delete the non-intersecting component of the ellipse from the screw cap by Selecting both objects with the Selection Tool (V) and then selecting the extraneous portion with the Shape Builder Tool. Deselect and Delete the unnecessary portion of the ellipse.

Draw three rounded rectangle shapes (either with the Rectangle Tool or the Rounded Rectangle Tool beneath the screw cap, each smaller than the last (see below). Set the fill color to dark blue or gray, or select a subtle gradient.
006

Step 7

Draw curving lines on the cap of this light bulb vector with the Paint Brush Tool (B) to indicate the screw threads. Set the width of the stroke in the Stroke panel to 2-4pts (depending on the size of your illustration these may be larger or smaller). Expand the strokes under Object and apply the same Radial Gradient used in Step 5 to each thread. Draw highlight shapes (see below) on each thread with the Pen Tool (P) with the same gradient as before. Set the Blend Mode to Screen and Opacity to 20%, or so.
007

Step 8

Strengthen the shadows and highlights on the light bulb vector by drawing additional gradient shapes (see below) in each threaded section. There are four gradient shapes drawn in the sections between each thread, the shadows on each thread were drawn in darker, and there’s cast shadow shapes drawn below the last thread. Each gradient is Radial, Blend Mode set to Normal and the colors in the gradient go from Opaque to Transparent.
008

Step 9

Group (Control-G) together all of the screw cap components. Copy and Paste the group and Unite the copy in the Pathfinder panel. Apply a Radial Gradient going from light blue or gray at 100%-0% Opacity. With the Gradient Tool, adjust the shape of the gradient so it’s a vertical oval within the united cap shape.
009

Step 10

Changing the overall color of the light bulb vector is wonderfully easy. Doing so, you can create a whole rainbow of light bulbs within a couple minutes. Paste a second instance of the screw cap and change the fill color to dark gray (or whatever color you wish) and the Blend Mode to Color in the Transparency panel.
010

Step 11

Draw a curving highlight shape with the Pen Tool (or manipulate a circle or sketch it out with the Pencil Tool, and apply a Radial Gradient going from white at 100% Opacity to white at 0% Opacity in the Gradient panel.
011

Step 12

Changing the light bulb vector color is as simple as the process from Step 10. In this case, I chose a light yellow for a warm bulb look.
012

Step 13

Create additional highlight areas by drawing a vertical rectangle on the screw cap of the light bulb vector. This time, the gradient will be Linear with transparent instances of dark gray on either side of creamy yellow, the Blend Mode set to Overlay, and the overall Opacity set to 37% in the Transparency.
013

Step 14

I decided I wanted to warm up the grey used previously a bit further. As such, I repeated the process from Step 10 but the fill color was set to light yellow and the Blend Mode to Multiply. Making quick changes like this, instead of changing the entire color palette allows for a wider range of design variations.
014

Step 15

For the background, draw a large rectangle over the artboard, beneath the light bulb vector design in the Layers panel and apply, once again, a Radial Gradient going from dark gray to a very warm yellow (or whatever tone your lightbulb has). Adjust the gradient shape so that it primarily radiated outward from the bulb portion of the design.
015

Step 16

For the inside of the bulb, I drew the general idea of the bits and pieces found there. I Copied and Pasted the gradient shape from Step 13 as well as drew a circle and rounded rectangle in a simple 1pt black stroke (each set to Multiply. The rest of the shapes were quickly drawn with the Paint Brush Tool while referencing a light bulb for the general idea of its wires. Feel free to create a more detailed composite in your design.
016

AHA! Your Light Bulb Vector is Complete!

Now that you’re done, consider additional design styles: is the light bulb vector floating, hanging from a wire, or screwed into a lamp socket? What additional light bulb vector shapes can you create with the same techniques explored in this tutorial? Let us know below. Happy drawing!
017

Author: Mary Winkler

Mary works under the brand Acrylicana® designing apparel, jewelry, and illustrating for companies like Disney, Jakks Pacific, Envato, and more. Check out Acrylicana.com for more artwork, tutorials, and more.

The post Bright Light Bulb Vector: Lights On in Under an Hour appeared first on Vectips.

]]>
http://vectips.com/tutorials/create-a-light-bulb-vector-in-an-hour/feed/ 2
Spray It Up! Make Your Own Spray Can Vector http://vectips.com/tutorials/spray-can-vector-icon-tutorial/ http://vectips.com/tutorials/spray-can-vector-icon-tutorial/#comments Tue, 01 Jul 2014 22:27:30 +0000 http://vectips.com/?p=10159 In the following tutorial you will learn how to create a detailed spray can vector icon in Adobe Illustrator. For starters, you will find out how to set a a simple grid and how to create a bunch of pixel perfect shapes using basic tools and effects. Once you have the main spray can vector […]

The post Spray It Up! Make Your Own Spray Can Vector appeared first on Vectips.

]]>
Preview In the following tutorial you will learn how to create a detailed spray can vector icon in Adobe Illustrator. For starters, you will find out how to set a a simple grid and how to create a bunch of pixel perfect shapes using basic tools and effects. Once you have the main spray can vector icon, you will learn how to work with complex gradients and how to add subtle shadows and highlights using basic blending and vector shape building techniques. Finally, you will learn how to create a simple mesh and how to easily recolor your spray can vector icon.

Tutorial Details: Spray Can Vector Icon

  • Program: Adobe Illustrator CC
  • Difficulty: Beginner-Intermediate
  • Topics Covered: Basic Tools and Effects, Transform techniques and the Appearance panel
  • Estimated Completion Time: 1 hour 30 minutes

Final Image: Your New Spray Can Vector Icon

As always, this is the final image that we’ll be creating:

Final Image

Step 1

Hit CTRL + N to create a new document. Select Pixels from the Units drop-down menu, enter 600 in the width box and 480 in the height box then click on the Advanced button. Select RGB, Screen (72ppi) and make sure that the Align New Objects to Pixel Grid box is unchecked before you click OK. Enable the Grid (View > Show Grid) and the Snap to Grid (View > Snap to Grid). For starters on this spray can vector icon tutorial, you will need a grid every 5px, so simply go to Edit > Preferences > Guides > Grid, enter 5 in the Gridline every box and 1 in the Subdivisions box. Try not to get discouraged by all that grid, it will ease your work in making this spray can vector icon and keep in mind that you can easily enable or disable it using the Control + " keyboard shortcut. You should also open the Info panel (Window > Info) for a live preview with the size and position of your shapes. Do not forget to set the unit of measurement to pixels from Edit > Preferences > Units > General. All these options will significantly increase your work speed.

Step 1

Step 2

Next up for this spray can vector icon tutorial, pick the Rectangle Tool (M) and focus on your Toolbar. Remove the color from the stroke then select the fill and set its color at R=39 G=170 B=225. Move to your artboard and simply create a 45 x 95px rectangle, the Snap to Grid should ease your work. Switch to the Ellipse Tool (L), create a 45 x 10px shape and place it exactly as shown in the second image. Select both shapes made in this step, open the Pathfinder panel (Window > Pathfinder) and click the Unite button. Move to the Layers panel (Window > Layers), simply double click on your blue shape and rename it "body". This will essentially be the body of your spray can vector icon.

Step 2

Step 3

Disable the Snap to Grid (View > Snap to Grid) then go to Edit > Preferences > General and make sure that the Keyboard Increment is set at 1px. Make sure that your blue shape is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px up using the up arrow button from your keyboard. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Make sure that the resulting shape stays selected and focus on the Appearance panel (Window > Appearance). Set the fill color at black (R=0 G=0 B=0) then simply click on that "Opacity" piece of text to open the Transparency fly-out panel. Lower the Opacity to 10% and change the Blending Mode to Soft Light.

Step 3

Step 4

Make sure that your blue shape is selected and make two, new copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 2px up using that same up arrow button from your keyboard. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 10% and change the Blending Mode to Soft Light.

Step 4

Step 5

Make sure that your blue shape is selected and make another two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 3px up using that same up arrow button from your keyboard. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 10% and change the Blending Mode to Soft Light.

Step 5

Step 6

Make sure that your blue shape is selected and make two more copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 5px up using that same up arrow button from your keyboard. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 10% and change the Blending Mode to Soft Light.

Step 6

Step 7

Next step for your spray can vector icon tutorial is to make sure that your blue stays selected, open the Gradient panel (Window > Gradient) and simply click on the gradient thumbnail to add the default black to white linear gradient. Keep focusing on the Gradient panel and set the Angle at 0 degrees. Next, select the left gradient slider and set the color at R=183 G=183 B=185 then select the right gradient slider and set the color at R=225 G=224 B=224. Focus on the gradient bar and simply click on it to add a new gradient slider. Make sure that this new slider is selected, set its color at R=141 G=141 B=145, focus on the Location box (from the Gradient panel) and set it at 15%. Keep in mind that the white numbers from the Gradient images stand for Location percentage. Add six new sliders for this gradient then use the colors and Location attributes shown in the following image.

Step 7

Step 8

Make sure that your "body" shape is still selected, focus on the Appearance panel and add a second fill using the Add New Fill button. Select this new fill, lower its Opacity to 25%, change the Blending Mode to Multiply and add the linear gradient shown in the following image. Remember that the white numbers from the Gradient image stand for Location percentage while the yellow ones stand for Opacity percentage.

Step 8

Step 9

Make sure that your "body" shape is still selected, focus on the Appearance panel and add a third fill using that same Add New Fill button. Select the new fill, set the color at R=247 G=148 B=30 and change its Blending Mode to Color.

Step 9

Step 10

Enable the Snap to Grid (View > Snap to Grid). For the following steps you will need a grid every 1px, so go to Edit > Preferences > Guides & Grid and enter 1 in the Gridline every box. Using the Ellipse Tool (L), create a 47 x 12px shape, set the fill color at R=100 G=100 B=105 and place it exactly as shown in the following image. Make sure that this squeezed circle is selected and simply hit Shift + Control + [ to send it to back.

Step 10

Step 11

Using the Ellipse Tool (L), create a 47 x 12px shape, set the fill color at R=0 G=161 B=75 and place it exactly as shown in the first image. Switch to the Rectangle Tool (M), create a 47 x 2px shape and place it as shown in the second image. Select both shapes made in this step and click the Unite button from the Pathfinder panel. Make sure that the resulting shape is selected and simply send it to back (Shift + Control + [ ).

Step 11

Step 12

To keep on with this spray can vector icon, reselect your squeezed, grey circle and make a copy in front (Control + C > Control + F). Select this copy along with the green shape and click the Minus Front button from the Pathfinder panel.

Step 12

Step 13

Disable the Snap to Grid (View > Snap to Grid). Make sure that your green shape is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with white (R=255 G=255 B=255), lower its Opacity to 80% and change the Blending Mode to Soft Light.

Step 13

Step 14

Reselect your green shape, replace the existing fill color with the linear gradient shown in the following image and go to Effect > Stylize > Drop Shadow. Enter the properties shown below and click OK. You'll need this complex gradient again, so you should make sure to save it. Focus on the Gradient panel, click on that gradient thumbnail and simply drag it inside the Swatches panel (Window > Swatches).

Step 14

Step 15

Enable the Snap to Grid (View > Snap to Grid). Using the Ellipse Tool (L), create a 45 x 24px shape, fill it with blue and place it as shown in the first image. Grab the Rectangle Tool (M), create a 23 x 2px shape and place it as shown in the second image. Switch to the Direct Selection Tool (A) and focus on the top side of this new rectangle. Select the left anchor point and drag it 1px to the right then select the right anchor point and drag it 1px to the left. You can see how this is turning into your spray can vector icon.

Step 15

Step 16

Reselect both blue shapes made in the previous step and click the Unite button from the Pathfinder panel. Using the Rectangle Tool (M), create a 45 x 12px shape, set the fill color at red and place it as shown in the second image. Select this new rectangle along with the blue shape made in the beginning of the step and click the Minus Front button from the Pathfinder panel.

Step 16

Step 17

Focus on the top side of your blue shape and pick the Direct Selection Tool (A). Select the two anchor points highlighted in the first image, focus on the control panel and simply enter 2px in that Corners box. This feature is only available for CC users. The best solution to replace this effect would be the Round Any Corner that can found in this article: 20 Free and Useful Adobe Illustrator Scripts. Save it to your hard drive, return to Illustrator and make sure that Direct Selection Tool (A) is active. Select the two anchor points and go to File > Scripts > Other Script. Open the Round Any Corner Script, enter a 2px radius and click OK. The end result might look a bit different.

Step 17

Step 18

Using the Rectangle Tool (M), create a 47 x 2px shape, set the fill color at R=239 G=65 B=54 and place it as shown in the following image. Make sure that this new rectangle is selected and go to Effect > Stylize > Rounded Corners. Enter a 1px Radius, click OK and go to Object > Expand Appearance.

Step 18

Step 19

Disable the Snap to Grid (View > Snap to Grid). Make sure that your red, rounded rectangle is selected, make a copy in front (Control + C > Control + F) and move it 1px down. Select your "body" shape and make a copy in front (Control + C > Control + F). Reselect both copies made in this step and click the Intersect button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 30% and change the Blending Mode to Soft Light.

Step 19

Step 20

Make sure that your red, rounded rectangle is selected, make a copy in front (Control + C > Control + F) and move it 1px up. Select your blue shape and make a copy in front (Control + C > Control + F). Reselect both copies made in this step and click the Intersect button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 15% and change the Blending Mode to Soft Light.

Step 20

Step 21

Make sure that your red, rounded rectangle is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its Opacity to 70% and change the Blending Mode to Soft Light. Reselect your red, rounded rectangle and simply replace the existing fill color with that saved linear gradient. This is the beginning of the top of the spray can vector icon forming.

Step 21

Step 22

Enable the Snap to Grid (View > Snap to Grid). Using the Rectangle Tool (M), create a 23 x 2px shape, set the fill color at R=239 G=65 B=54 and place it as shown in the following image. Make sure that this new rectangle is selected and go to Effect > Stylize > Rounded Corners. Enter a 1px Radius, click OK and go to Object > Expand Appearance.

Step 22

Step 23

Disable the Snap to Grid (View > Snap to Grid). Make sure that your red, rounded rectangle is selected, make a copy in front (Control + C > Control + F) and move it 1px down. Select your blue shape and make a copy in front (Control + C > Control + F). Reselect both copies made in this step and click the Intersect button from the Pathfinder panel. Fill the resulting shape with black, lower its Opacity to 30% and change the Blending Mode to Soft Light.

Step 23

Step 24

Make sure that your red, rounded rectangle is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its Opacity to 50% and change the Blending Mode to Soft Light.

Step 24

Step 25

Reselect your red, rounded rectangle and simply replace the existing fill color with the linear gradient shown in the following image. You'll need again this complex gradient so don't forget to save it in your Swatches panel.

Step 25

Step 26

Reselect your blue shape and make a copy in front (Control + C > Control + F). Make sure that the copy stays selected and focus on the Appearance panel. Replace the existing fill color with the linear gradient shown in the following image, lower its Opacity to 70% and change the Blending Mode to Soft Light.

Step 26

Step 27

Enable the Snap to Grid (View > Snap to Grid). Reselect your blue shape and simply hit Shift + Control + ] to bring it to front. Grab the Mesh Tool (U) and turn your blue shape into a simple mesh as shown in the second image. The grid and the Snap to Grid feature should ease your work.

Step 27

Step 28

Keep focusing on your mesh and pick the Direct Selection Tool (A). Select those mesh points one by one and simply add the colors shown in the following image. Once you’re done, select the entire mesh and send it to back (Shift + Control + [ ).

Step 28

Step 29

Using the Rectangle Tool (M), create a 17 x 4px shape, set the fill color at R=100 G=100 B=105 and place it as shown in the following image. Make sure that this new rectangle is selected and go to Effect > Stylize > Rounded Corners. Enter a 1px Radius, click OK and go to Object > Expand Appearance. Send the resulting shape to back (Shift + Control + [ ) and make sure that the Rectangle Tool (M) is still active. Create a 17 x 1px shape, place it as shown in the second image, set the fill color at black, lower its Opacity to 30% and change the Blending Mode to Soft Light.

Step 29

Step 30

Using the Rectangle Tool (M), create a 15 x 9px shape, fill it with blue and place it as shown in the following image. Make sure that this new shape stays selected and go to Effect > Stylize > Rounded Corners. Enter a 1px Radius, click OK and go to Effect > Warp > Arc Upper. Enter the properties shown in the following image, click OK and go to Object > Expand Appearance.

Step 30

Step 31

Disable the Snap to Grid (View > Snap to Grid). Make sure that your blue shape is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with white, lower its Opacity to 70% and change the Blending Mode to Soft Light.

Step 31

Step 32

Enable the Snap to Grid (View > Snap to Grid). Using the Rectangle Tool (M), create a 15 x 1px shape and place it as shown in the first image. Set the fill color at black, lower its Opacity to 20% and change the Blending Mode to Soft Light. Reselect your blue shape and simply replace the existing fill color with that second linear gradient that you saved.

Step 32

Step 33

Using the Ellipse Tool (L), create a 3px circle, set the fill color at R=90 G=90 B=95 and place it as shown in the first image. Disable the Snap to Grid (View > Snap to Grid), make sure that your tiny circle is selected and make two copies in front (Control + C > Control + F > Control + F). Select the top copy and move it 1px down. Reselect both copies made in this step and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with R=60 G=60 B=65.

Step 33

Step 34

Reselect your 3px circle, focus on the Appearance panel and add a second fill using that same Add New Fill button. Select the new fill, set the color at R=170 G=170 B=175 and go to Effect > Path > Offset Path. Enter a -1px Offset, click OK and return to the Appearance panel. Make sure that your entire path is selected (simply click on that "Path" piece of text from the top of the Appearance panel) and go to Effect > Stylize > Drop Shadow. Enter the properties shown in the following image and click OK.

Step 34

Step 35

Reselect all the shapes that make up the button and send them to back (Shift + Control + [ ). Look at the top of that spray can vector icon!

Step 35

Step 36

Focus on the bottom side of your can, pick the Ellipse Tool (L), create a 47 x 12px shape, set the fill color at black and place it exactly as shown in the first image. Make sure that this squeezed circle stays selected and focus on the Appearance panel. Select the existing fill, lower its Opacity to 30% and go to Effect > Path > Offset Path. Enter a 1px Offset, click OK and go to Effect > Blur > Gaussian Blur. Enter a 10px Radius, click OK, return to the Appearance panel and add a second fill for your shape. Select this new fill, make sure that the color is set at black, lower its Opacity to 10% and go to Effect > Path > Offset Path. Enter a 1px Offset, click OK and you’re done.

Step 36

Step 37

Finally, feel free to try a different color for your "body" shape. Select it and focus on the Appearance panel. Select the top fill and replace the existing color with one that you like or remove it if you’re looking for a metallic spray can.

Step 37

And We’re Done!

I hope you’ve enjoyed this tutorial and can apply these techniques in your future projects.

Final Image

Andrei Marius

Author: Andrei Marius

Andrei Marius is a self taught vector artist who is trying to make a living doing something that he likes. He spends most of his time working in Adobe Illustrator, trying to avoid the Pen Tool. You can find most of his vector experiments at this little website dedicate to Illustrator VforVectors.

The post Spray It Up! Make Your Own Spray Can Vector appeared first on Vectips.

]]>
http://vectips.com/tutorials/spray-can-vector-icon-tutorial/feed/ 1
Get Gilded with this Gold Ribbon Banner Vector Tutorial http://vectips.com/tutorials/create-gold-ribbon-banner-vectors/ http://vectips.com/tutorials/create-gold-ribbon-banner-vectors/#comments Tue, 24 Jun 2014 16:39:13 +0000 http://vectips.com/?p=10039 Add a touch of luxury to your designs with these shiny golden ribbon banner vectors. Easily create banner vector shapes with warped rectangles and apply a series of gradients to the shapes to get a gilded perfection.       Tutorial Details Program: Adobe Illustrator CS5-CC Difficulty: Intermediate Topics Covered: Shape Building, Warp Tools, Offsetting […]

The post Get Gilded with this Gold Ribbon Banner Vector Tutorial appeared first on Vectips.

]]>
golden ribbon banner vectorsAdd a touch of luxury to your designs with these shiny golden ribbon banner vectors. Easily create banner vector shapes with warped rectangles and apply a series of gradients to the shapes to get a gilded perfection.

 
 
 

Tutorial Details

  • Program: Adobe Illustrator CS5-CC
  • Difficulty: Intermediate
  • Topics Covered: Shape Building, Warp Tools, Offsetting Paths
  • Estimated Completion Time: 30 Minutes

Final Image: Golden Ribbon Banner Vectors

ribbon banner vectors

Step 1 for Creating Ribbon Banner Vectors

Let’s start with sketching out the basic shapes used for your ribbon banner vectors. Will they wave like flags, be straight across, fit into each other, or curve in different directions? Use the Paintbrush Tool (B) with a simple round Calligraphic Brush to sketch them out. Group (Control-G) together the designs you like and lock them in the Layers panel (or move them off the Artboard, out of the way).
ribbon banner vectors

Step 2

Use the Rectangle Tool (M) to draw a narrow, horizontal rectangle in a light gold color (#e7b964 used here). Select the shape and go to Effect > Warp > Arch and apply a 29% Bend. Expand the warped shape under Object.
ribbon banner vectors

Step 3

Draw two small rectangles on either side of the bent ribbon banner vector shape (with the Rectangle Tool). Use the Pen Tool (P) to draw a triangle on either small rectangle. Select a rectangle and its corresponding triangle and Minus Front in the Pathfinder panel. Place these pieces beneath the bent ribbon shape in the Layers panel.
ribbon banner vectors

Step 4

For the next ribbon banner vector shape, draw a narrow horizontal rectangle and apply two warp effects: Rise with a Bend of 31% and Flag with a Bend of 20%.
ribbon banner vectors

Step 5

For the ribbon banner vector’s tails, I planned out the design with a quick Paintbrush Tool sketch and traced over it with the Pen Tool. Warp the tails 19% and -19% respectively (or whatever works best with the bend you applied to the rest of the banner. Draw the underside of the folded ribbon with the Pen Tool, keeping in mind the curve of the ribbon and where its edges are.
ribbon banner vectors

Step 6

The colors chosen here are just placeholders, since gradients will be applied to all ribbon banner vector components later in the tutorial. This just gives you a shot of how I set up banner designs like these.
ribbon banner vectors

Step 7

For a couple simple banner vector designs, draw long, narrow rectangles. Overlap a smaller rectangle with a large triangle (drawn with the Polygon Tool) and hit Divide option in the Pathfinder panel. Delete any extraneous components so you’re left with the two seen below.
ribbon banner vectors

Step 8

Once again, start with a narrow horizontal rectangle. Apply two Warp effects to it: Shell Upper with a Bend of 10% and an Arc with a Bend of 9%. Expand under Object.
ribbon banner vectors

Step 9

Draw two small rectangles on either side of the newly warped ribbon banner vector. Apply the Arch effect to each with a Bend of 17% and Rotate both shapes outward slightly (see below).
ribbon banner vectors

Step 10

Make two ribbon tails as was done in Step 3. Apply two Warp effects: Arch with a Bend of 23% and Flag with a Bend of 18%. Copy (Control-C) and Paste (Control-V) the ribbon end and Reflect it over a Vertical Axis so it sits nicely on the other side of the banner.
ribbon banner vectors

Step 11

Now that we’ve created our basic ribbon banner vector shapes, let’s get to rendering them. Most of the banner vectors will have multiple layers created by offsetting the paths of each shape. To do so, Select the shape you’re offsetting and go to Object > Path > Offset Path. Offset the shape by -4px and repeat once more on the newly created shape so you have three stacked on top of each other. If you want a thicker or thinner ribbon banner vector shape, adjust your offset amount as needed.
ribbon banner vectors

Step 12

Select the outer and inner rectangles of this first basic banner vector and apply the gradient seen below with the Gradient panel. I wanted to keep the gold tones warm, with #e6b9464 and #b4833e as the main colors, #edd87d as the highlight and #653f25 for core shadows.

For the bright gold strip (the middle rectangle layer), lighten up the gold colors with white (#ffffff) and light yellow (#edd87d. See below for additional gold tones and their placement.
ribbon banner vectors

Step 13

The gradients for this wrap-around style ribbon banner vector as the same colors as seen in Step 12, but adjusted differently: less highlights, lighter shadow color, and more buttery yellow overall.
ribbon banner vectors

Step 14

As has been done to the other banner vector designs, Offset the paths of each shape twice for a layered ribbon effect. The amount of colors placed in this gradient are less than the other two since it’s a smaller banner and curved, so highlights and shadows will respond directly to the movement of the banner itself (highlights around the center, shadows on the edges and below).

The two shapes below the main ribbon have a simple gradient of #46210e and #dca24e. The other main gradient is the same as those used in Steps 12-13, but #ede57d is the lightest color and the only highlight present in the gradient. Similarly, the bright ribbon strip in the banner design is devoid of white this time around.
ribbon banner vectors

Step 15

This curving ribbon banner vector has four colors in the gradient, broken down below. The darkest color is placed on the far left with two instances of bright yellow and the rest being warm gold/tan tones. This same gradient is applied, although adjusted for size, to the ribbon tail pieces too.
ribbon banner vectors

Step 16

The pieces under the ribbon banner vector have a gradient of three colors applied. The darkest color is positioned towards the fold of the top portion of the ribbon while the lightest color is near the fold of the tail pieces. Optionally, you can offset the main ribbon shape and the tails for stripes like the other ribbon designs, or keep this as is for a “dipped in gold” look.
ribbon banner vectors

Step 17

The colors for these pieces are the same as Step 16. It’s important to note here that the main ribbon shape is a flat color (#e7b964) and the gradient shapes placed over top have been Copied and Pasted twice so there’re two angles going towards the center of the banner to accentuate the banner’s curve. The gradients end in #e7b964 at 0% Opacity.

The small curved rectangles forming the top folds of the ribbon banner vector have dramatic brown and gold gradients applied and their angles, adjustable in the Gradient panel, are parallel to the edges of the small curving rectangles.
ribbon banner vectors

All That Glitters…

All that glitters is gold, and these ribbon banner vectors surely glitter fantastically. Add sparkle shapes with the Blob Bush Tool (Shift-B) or the Pencil Tool to highlights on your completed banner design. Play with more complex folded ribbon shapes, other metallics, and additional golden graphic designs. Happy creating!
ribbon banner vectors

Author: Mary Winkler

Mary works under the brand Acrylicana® designing apparel, jewelry, and illustrating for companies like Disney, Jakks Pacific, Envato, and more. Check out Acrylicana.com for more artwork, tutorials, and more.

The post Get Gilded with this Gold Ribbon Banner Vector Tutorial appeared first on Vectips.

]]>
http://vectips.com/tutorials/create-gold-ribbon-banner-vectors/feed/ 1
Inspiration: 10 Polygonal Vector Packs (totaling 90+ files!) http://vectips.com/inspiration/10-polygonal-vector-packs/ http://vectips.com/inspiration/10-polygonal-vector-packs/#comments Thu, 19 Jun 2014 12:01:12 +0000 http://vectips.com/?p=9965 In this new inspiration roundup you will find all kinds of awesome polygonal vector files. From backgrounds to banners and all the way to polygon hearts! We also have animals and bicycles! Have you spotted some polygonal vectors that are a must-have for designers? They’re all over right now – don’t forget to share them with […]

The post Inspiration: 10 Polygonal Vector Packs (totaling 90+ files!) appeared first on Vectips.

]]>
polygonal vectorIn this new inspiration roundup you will find all kinds of awesome polygonal vector files. From backgrounds to banners and all the way to polygon hearts! We also have animals and bicycles! Have you spotted some polygonal vectors that are a must-have for designers? They’re all over right now – don’t forget to share them with us!

 

 

 

Polygonal Speech Bubble Vector

polygonal vector

Abstract Polygonal Background Vectors

These backgrounds are perfect for a poster of any kind of event with the rainbow of colors to choose from.

polygonal vector

20 Free High-Res Geometric Polygon Backgrounds

These hot and trendy backgrounds can be used in all kind of projects due to the variety of colours.

polygonal vector

Geometric Colorful Abstract Background

That warm, colorful glow on this background gives it a very cool look, also I really like the colour harmony.

polygonal vector

7 Colorful Polygonal Backgrounds 

Any color scheme you’ll need in this pack! Check ‘em out.

polygonal vector

Free Diamond Polygonal Vector Background

This one has an awesome warm color scheme that would be the perfect backdrop for summer.

polygonal vector

50 Unique Polygonal Tessellation Vectors

Huge free pack! 50 vector files in this pack! Awesome.

polygonal vector

Free Vector Pack: Polygonal Hearts

Fantastic pack, I really love it! All kind of shapes and styles of hearts.

polygonal vector

Learn how to create your own here! 

polygonal vector

Abstract polygonal banners

I do like very much the colors and the style, very hot.

polygonal vector

The post Inspiration: 10 Polygonal Vector Packs (totaling 90+ files!) appeared first on Vectips.

]]>
http://vectips.com/inspiration/10-polygonal-vector-packs/feed/ 0
How to Create a 3D Vector Button http://vectips.com/tutorials/one-tool-to-create-a-3d-button-vector/ http://vectips.com/tutorials/one-tool-to-create-a-3d-button-vector/#comments Tue, 17 Jun 2014 23:05:38 +0000 http://vectips.com/?p=10005 In the following tutorial you will learn how to create a 3D Button Vector in Adobe Illustrator using only one shape and the Appearance panel. So awesome! In the first steps you will learn how to set up a simple grid and how to create a rectangle. Using only this shape and the Appearance panel […]

The post How to Create a 3D Vector Button appeared first on Vectips.

]]>
Preview In the following tutorial you will learn how to create a 3D Button Vector in Adobe Illustrator using only one shape and the Appearance panel. So awesome! In the first steps you will learn how to set up a simple grid and how to create a rectangle. Using only this shape and the Appearance panel along with a bunch of fills, effects, and basic blending techniques, you will create your own 3D button vector.

Tutorial Details

  • Program: Adobe Illustrator CC
  • Difficulty: Beginner-Intermediate
  • Topics Covered: Basic Tools and Effects and the Appearance panel
  • Estimated Completion Time: 45 minutes

Final Image

As always, below is the final image that we’ll be creating. The great thing about this 3D button vector tutorial is that it can be customized to create so many kinds and shapes of buttons. Below are just a few examples.

Final Image
Final Image
Final Image

Step 1

Hit CTRL + N to create a new document. Select Pixels from the Units drop-down menu, enter 600 in the width and height boxes then click on the Advanced button. Select RGB, Screen (72ppi) and make sure that the Align New Objects to Pixel Grid box is unchecked before you click OK. Enable the Grid (View > Show Grid) and the Snap to Grid (View > Snap to Grid). You will need a grid every 5px, so simply go to Edit > Preferences > Guides > Grid, enter 5 in the Gridline every box and 1 in the Subdivisions box. Try not to get discouraged by all that grid, it will ease your work and keep in mind that you can easily enable or disable it using the Control + “ keyboard shortcut. You should also open the Info panel (Window > Info) for a live preview with the size and position of your shapes. Do not forget to set the unit of measurement to pixels from Edit > Preferences > Units > General. All these options will significantly increase your work speed.

Step 1

Step 2

The next step to creating these 3D button vectors is to pick the Rectangle Tool (M), focus on your artboard and create a 110 x 60px shape. Make sure that your rectangle does not have a color set for the stroke, open the Gradient panel (Window > Gradient) and simply click on the gradient thumbnail to add the default black to white linear gradient. Keep focusing on your Gradient panel, set the Angle at -90 degrees then move to the gradient colors. Select the right slider and set the color at R=95 G=95 B=95 then select the left slider, set the color at R=75 G=75 B=75.

Step 2

Step 3

Make sure that your rectangle is still selected and open the Appearance panel (Window > Appearance). Select the existing fill and go to Effect > Stylize > Drop Shadow. Enter the properties shown in the top, left window (in the following image), click OK then add the other three Drop Shadow effects shown in the following image. Starting to see the beginnings of a 3D button vector!

Step 3

Step 4

Make sure that your rectangle is still selected, focus on the Appearance panel and add a second fill using the Add New Fill button (pointed by the blue circle in the following image). Select the new fill, replace the existing linear gradient with the one shown in the following image and go to Effect > Warp > Bulge. Enter the properties shown in the following image and click OK.

Step 4

Step 5

Make sure that your rectangle is still selected, focus on the Appearance panel and add a third fill using that same Add New Fill button. Select the new fill, replace the existing linear gradient with black (R=0 G=0 B=0) and go to Effect >Path > Offset Path. Enter a -1px Offset, click OK and go to Effect > Artistic > Film Grain. Enter the attributes shown in the following image and click OK. Return to the Appearance panel and simply click on that little arrow icon that stands for your black fill so that you can see the applied effects and attributes. Simply click on the “Opacity” piece of text that stands for your black fill to open the fly-out Transparency panel. Lower the Opacity to 4% and change the Blending Mode to Multiply.

Step 5

Step 6

Next step in creating this 3D button vector is to make sure that your rectangle is still selected, add a fourth fill and drag it in the bottom of the Appearance panel. Make sure that it stays selected, add the linear gradient shown in the following image, lower its Opacity to 10% and go to Effect > Distort > Transform. Enter the properties shown in the following image and click OK. The white number from the Gradient panel stands for Location percentage while the yellow one stands for Opacity percentage. This simply means that you need to select that gradient slider, focus on the Opacity box (from the Gradient panel) and lower it to 0% then focus on the Location box and set it at 90%.

Step 6

Step 7

Make sure that your rectangle is still selected, add a fifth fill and drag it in the bottom of the Appearance panel. Make sure that it stays selected, add the linear gradient shown in the following image and go to Effect > Distort & Transform > Transform. Focus on the Move section drag the Vertical slider at 5px, click OK and go to Effect > Stylize > Drop Shadow. Enter the properties shown in the following image and click OK.

Step 7

Step 8

Make sure that your rectangle is still selected, add a sixth fill and drag it in the bottom of the Appearance panel. Make sure that it stays selected, set the color at R=175 G=175 B=175 and go to Effect > Path > Offset Path. Enter a 3px Offset, click OK and go to Effect > Distort & Transform > Transform. Enter the properties shown in the following image, make sure that you check the middle, bottom reference point (pointed by the blue circle in the following image) and click OK.

Step 8

Step 9

Make sure that your rectangle is still selected, reselect the bottom fill and go to Effect > Stylize > Inner Glow. Enter the properties shown in the following image, click OK and go to Effect > Stylize > Drop Shadow. Enter the attributes shown below and click OK.

Step 9

Step 10

Make sure that your rectangle is still selected, add a seventh fill and drag it in the bottom of the Appearance panel. Make sure that it stays selected, add the linear gradient shown in the following image and go to Effect > Path > Offset Path. Enter an 8px Offset, click OK and go to Effect > Distort & Transform > Transform. Focus on the Move section, drag the Vertical slider at 9px and click OK.

Step 10

Step 11

Make sure that your rectangle is still selected, reselect the bottom fill and go to Effect > Stylize > Drop Shadow. Enter the properties shown in the left window (in the following image), click OK then add the other two Drop Shadow effects shown in the following image.

Step 11

Step 12

Make sure that your rectangle is still selected, focus on the Appearance panel, select the bottom fill and simply duplicate it using the Duplicate Selected Item button (pointed by the blue circle in the following image). Select the newly created fill, replace the existing gradient with the one shown in the following image and go to Effect > Path > Offset Path. Enter a 7px Offset, click OK and go to Effect > Distort & Transform > Transform. Focus on the Move section, drag the Vertical slider at 9px and click OK.

Step 12

Step 13

Make sure that your rectangle is still selected, focus on the Appearance panel and add a new fill. Select this new fill and drag it right above the bottom, two fills. Make sure that it stays selected, add the linear gradient shown in the following image and go to Effect > Path > Offset Path. Enter a 7px Offset, click OK and go to Effect > Distort & Transform > Transform. Enter the properties shown in the following image (don’t forget to check the middle, bottom reference point), click OK and go to Effect > Stylize > Drop Shadow. Enter the attributes shown below and click OK.

Step 13

Step 14

Make sure that your rectangle is still selected, focus on the Appearance panel, select the fill added in the previous step and simply duplicate it using that same Duplicate Selected Item button. Select the newly created fill, add the radial gradient shown in the following image, lower its Opacity to 75% and open the existing Drop Shadow effect. Simply replace those attributes with the ones shown in the following image.

Step 14

Step 15

Make sure that your rectangle is still selected, add a new fill and drag it in the bottom of the Appearance panel. Make sure that it stays selected, add the linear gradient shown in the following image, lower its Opacity to 10% and go to Effect > Path > Offset Path. Enter an 8px Offset, click OK and go to Effect > Distort & Transform > Transform. Enter the properties shown in the following image and click OK.

Step 15

Step 16

Getting close to finishing this 3D button vector! Reselect your rectangle, focus on the Appearance panel, make sure that the entire path is selected (simply click on the “Path” piece of text from the top of the Appearance panel) and go to Effect > Stylize > Rounded Corners. Enter a 7px Radius and click OK. In the end things should look like in the following image.

Step 16

Step 17

Now that you made your 3D button vector you can easily resize it however you want.

Step 17

Step 18

Open the Character panel (Window > Type > Character), pick the Type Tool (T), simply click on the artboard and add your piece of text to your 3D button vector. Set the color at R=225 G=225 B=225 and use the font attributes show in the following image. Feel free to use other properties if you don’t like these. Make sure that your text is still selected and go to Effect > Stylize > Drop Shadow. Enter the properties shown in the following image and click OK.

Step 18

Step 19

Finally, you can multiply and play a little with your 3D button vectors.

Step 19

And We’re Done!

I hope you’ve enjoyed this tutorial and can apply these techniques in your future projects.

Final Image
Final Image
Final Image

Andrei Marius

Author: Andrei Marius

Andrei Marius is a self taught vector artist who is trying to make a living doing something that he likes. He spends most of his time working in Adobe Illustrator, trying to avoid the Pen Tool. You can find most of his vector experiments at this little website dedicate to Illustrator VforVectors.

The post How to Create a 3D Vector Button appeared first on Vectips.

]]>
http://vectips.com/tutorials/one-tool-to-create-a-3d-button-vector/feed/ 2
More Than a Box: Tips for Creating a Cardboard Vector Texture http://vectips.com/tips-and-tricks/creating-a-cardboard-vector-texture/ http://vectips.com/tips-and-tricks/creating-a-cardboard-vector-texture/#comments Tue, 10 Jun 2014 12:00:47 +0000 http://vectips.com/?p=9979 In this tutorial we’ll learn how to create a Cardboard Vector Texture by using the Wrinkle Tool and graphics texture. Today you’ll also find out how to edit and apply native Adobe Illustrator’s patterns. Cardboard vector textures are pretty hot these days and they are being used in abstract backgrounds and product designs and that’s […]

The post More Than a Box: Tips for Creating a Cardboard Vector Texture appeared first on Vectips.

]]>
preview

In this tutorial we’ll learn how to create a Cardboard Vector Texture by using the Wrinkle Tool and graphics texture. Today you’ll also find out how to edit and apply native Adobe Illustrator’s patterns. Cardboard vector textures are pretty hot these days and they are being used in abstract backgrounds and product designs and that’s why creating your own texture will be super useful for you in future. Have fun going through our new vector tutorial!

Tutorial Details

  • Program: Adobe Illustrator CS2 – CC
  • Difficulty: Beginner
  • Topics Covered: Wrinkle Tool and native Adobe Illustrator’s patterns
  • Estimated Completion Time: 15 minutes

Final Image

23

Step 1

Open Adobe Illustrator and create a new document (Cmd/Ctrl + N). Your artboard can be any size. The cardboard vector texture we’ll create will work equally well in the RGB and in the CMYK color modes, even though I worked in the RGB mode.

01

Step 2

Take the Rectangle Tool (M) and create a rectangle with no stroke and light-blown fill (R= 223, G= 196, B= 165).

02

The size of our rectangle corresponds to the size of our cardboard vector texture which you’re going to get.

Step 3

Create one more rectangle stretched in horizontal direction as it is indicated on the figure below. Fill the new object with vertical linear gradient from light-brown (R= 230, G= 218, B= 202) to white.

03

Apply to this rectangle the Multiply blending mode in the Transparency panel (Window > Transparency).

04

As the result of this blending mode application white turns transparent.

Step 4

Shift the rectangle with gradient fill down by holding the Shift and Option/Alt which causes object duplication.

05

Use the Cmd/Ctrl + D shortcuts a couple of times for consecutive repetition of the last action, i.e. shifting and duplication of the rectangle.

06

Step 5

The next step in creating this cardboard vector texture is to select all the horizontal rectangles with gradient fill. Click twice on the Wrinkle Tool icon in the Tools panel. This tool is located in the same group with the Width Tool. In the opened dialog box set the parameters which are indicated on the figure below.

07

Perform horizontal movements with the help of the Wrinkle Tool on the edges of the rectangles. As a result, we’ll get deformed paths as it is shown on the figure below.

08

Step 6

Open the Swatches panel (Window > Swatches) and choose USGS 22 Gravel Beach pattern; to do so, go to the Open Swatch Library > Patterns > Basic Graphics > Basic Graphics_Textures > USGS 22 Gravel Beach in the fly-out menu of the Swatches panel.

09

This pattern consists of circles which have black stroke. This color doesn’t match our project, and so we need to edit the pattern. Move pattern from the Swatches panel to artboard.

10

Step 7

Keep the pattern group selected and lock the rectangle with no fill and no stroke in the Layers panel. This object is located below all pattern objects.

11

And now switch the stroke’s color from black to white.

12

Step 8

Unlock the rectangle with no fill and no stroke in the Layers panel. Select the entire group with white pattern then drag it back in the Swatches panel.

13

Using the described technique create one more pattern. This time, its elements should have neutral grey stroke (K=40).

14

Step 9

Let’s get back to our cardboard texture. Copy the lower rectangle with solid fill and paste it to the front (Cmd/Ctrl + C; Cmd/Ctrl + F). Place this rectangle above all created objects.

15

And now apply a pattern with white objects to it.

16

Step 10

I think that the elements of the point texture should be enlarged. Keep the upper rectangle selected and go to the Object > Transform > Scale…. Set 120% then tick Patterns and untick Objects options in the dialog box.

17

Reduce opacity to 50% in the Transparency panel.

18

Step 11

The next step in creating our cardboard vector texture is to double the rectangle with the white texture. Apply a pattern with grey elements to the new object. Set 100% opacity for this texture.

19

And now go to the Object > Transform > Scale…. Set 150%, then tick Patterns and untick Objects options in the dialog box so the elements of white and grey texture didn’t overlap each other.

20

Apply the Multiply blending mode to the grey point texture and reduce the opacity if necessary.

21

Congratulations! You’re done! Your very own customizable cardboard vector texture is ready.

22

Now you can use this brand new cardboard vector texture in your own projects. As an example you can check out my abstract background with cardboard flowers, but there are literally endless ways you can incorporate this cardboard vector texture into your work.

23

Iaroslav Lazunov

Author: Iaroslav Lazunov

My name is Iaroslav Lazunov, I am a graphic designer from Ukraine. I am glad that I finally found a job in my life that I can share my knowledge and experiments with you in my tutorials. Follow me on Twitter or visit my blog Vectorboom.com

The post More Than a Box: Tips for Creating a Cardboard Vector Texture appeared first on Vectips.

]]>
http://vectips.com/tips-and-tricks/creating-a-cardboard-vector-texture/feed/ 1