Last up for Vectip’s Texture Week is wood grain. The steps for this technique are very similar to the previous Brushed Metal Texture tutorial. It uses the same Graphic Pen effect but stretched a little more. It also uses the Warp Tool and Twirl Tool. Also like the other texture tutorials, this technique is easy and applicable in logos, icons, interfaces or pretty much anything.
The second texture up for Vectips Texture Week is brushed metal. Like the previous Water Texture Tutorial, this brushed metal technique also utilizes Illustrator’s Effects. Again this tutorial is pretty simplistic when you break it down, and easy to replicate numerous times. You can use the brushed metal texture in almost anything, but I find myself using it in icons, logos, and interfaces quite a bit.
I declare this week Texture Week on Vectips! No reason, I’ve just been working with a number of textures in some recent illustrations, and wanted to pass along some of the techniques. It is starting to warm up oustide, so it is only fitting I start with wading water, like in a pool. It is a relatively quick and easy technique using Illustrator’s Effects, Simplify, Offset Path and some bright colors.
Here is another quick, but usefully tip. To isolate a layer in a complicated file, Option-click (Alt-click) the Visibility Icon on a certain layer to hide all other layers. Option-click (Alt-click) the Visibility Icon again to reveal all the layers. You can also Option-click (Alt-click) and drag across multiple layers to isolate more than one layer at a time.
In Illustrator, it’s easy to pick a complement color of the current Fill or Stroke in the Color Panel. From the Pop-Up Menu of the Color Panel select Complement. If you are keyboard shortcut freak, like me, you can change to the complement color by Command Shift-clicking (Mac) or Ctrl-Shift-clicking (Win) on the Color Ramp at the bottom of the Color panel.
